On the sides of each deck we also have control panels that change according to needs, or if we prefer, we can simultaneously show several control panels to the detriment of the amount of waveform that we can visualize. Around this central part we will have 2 or 4 decks (as we like), and underneath a wide and spartan browser. In the central part we will have an area where we will have different control panels according to our needs, these panels can alternate between the mixer (with a real mixer look, not like before), effects, sampler, vertical viewer of the forms waveform, VST effects and the grossbeat. The interface appears to have been redesigned from scratch. We downloaded and tested the beta version, and this is what we found. The new version 2.0 is really surprising since it does not limit itself to providing functions and views in other popular programs for professional DJs to try to be up to it, this version brings features so far never seen in other programs and that will provide you with a status own within the sector. Almost 2 years after its last official version, 1.9, a beta version of the next evolution of Deckadance has finally been made public. That’s a lot of cool stuff.The evolution of the software continued thanks to the work of the Image Line team of developers who collaborated with Arguru initially. It’s a VST host and a VST device the Relooper function is a nice matrix-style way of chopping up beats into interesting fills it has eight slots for one-shots and samples. It has peak and spectroscope views to line up the waveforms. Deckadance will read nine different types of control CD and vinyl. But the faders are tiny.Īnd it’s like this all the way through: some obvious features are missing or under-implemented, while there are really useful features everywhere you turn. The EQs sound quite nice and they have momentary kill switches, which I like a lot. The effects – four filters, flange, echo and bit-crusher – are standard fare, and if their routing options are limited, it’s partly made up for by the fun of playing them on an X-Y pad – and more than made up for by the capacity to host eight VSTs and route them across your decks individually. Why not put it next to the Cue button, instead of an Eject button made redundant by the drag-and-drop browser window three inches away? The Downbeat button lets you identify the one beat, which is a great, simple solution for correcting beat grid issues when, say, a build lingers for a beat too long before dropping. There’s a loop section with a couple of features I like – a Leap button that triggers a loop while leaving a ghost of the playhead moving along in realtime, so that when you come out of the loop, you jump back ahead to where you would have been had you let the record run. There are good, simple nudge and tempo controls. There’s the waveform for each deck, pretty standard although unfortunately there’s no zoom feature. I mean, there are controls anywhere there’s not a browser window, all singing their siren songs, luring me to get in there and figure out what each one does. It has a sleek elegance that I’m sure I would have remembered if it had been there before. Apparently Image-Line, the makers, have done no such thing and the Deckadance 1.93 Club Edition I opened up to review is completely unfamiliar. I remember using Deckadance once, a couple of years ago, not thinking much of it, and then forgetting it altogether.
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